Title
|
Author
|
Notes
|
Rosie's walk
|
Pat Hutchins
|
Teach children how the
pictures make a narrative. Easy to build common knowledge because
it can be built from pictures that everyone has access to. Use the
common knowledge to jointly construct new texts and teach children
to read the new texts as well as the original text. One kindergarten
teacher photographed her class and made a book of their walk, and
also wrote a book called Fox's Trouble. |
Mouse Tales
|
Arnold Lobel
|
This is a perfect text
for beginning readers. Each of the seven stories is appealing and
has an easily explained narrative structure. The text has enough
'literate' features to show how authors choose words to make special
meaning. You can teach about action and reaction. You can teach
about how speech and thoughts appear in stories. |
Mouse Soup
|
Arnold Lobel
|
Similar to Mouse Tales
|
The Three Little
Pigs
|
Addison-Wesley
|
Out of print reading series.
The illustrations are good and the text contains sufficient literate
language for beginning readers. Like many popular folktales, the
text can be used to teach children about narrative structure.
Other possible books in this series
are 'The great big enormous turnip' and 'The little knight'.
|
Frog and Toad are Friends.
Frog and Toad all Year.
Days with Frog and
Toad.
Frog and Toad Together
|
Arnold Lobel
|
Considerably longer than
Mouse Tales, and containing more literate resources. The beginnings
of characterisation can be shown in the different action and speech
choices of the 2 animals. You can show children how to write about
friends doing things together and find the words that let us know
they are friendly. Frog is nearly always more sensible than Toad
and you can find reactions that show that. |
The three billy goats
gruff
|
Macmillan Connections
Stobbs
|
Both of these versions
are out of print.
The language is more literate than that in the Lobel texts, with
more of the words precisely chosen and with longer sentences, eg
Once upon a time there were three billy goats who were to go up
to the hillside to make themselves fat and the name of all three
was Gruff. The Stobbs version differentiates the big billy goat
by using the precise word 'tramping' instead of 'tripping' for him,
and for that reason we prefer that version.
Like many popular folktales, this
is a wonderful example of narrative structure.
|
Why the bear has
a stumpy tail
|
Connections
|
Another folktale with excellent
narrative structure.
Some precise words, for example 'slinking'.
The importance of telling when and where.
Varied sentence beginnings.
Reactions in speech and in actions.
Adding more information in one sentence, for example 'that he had
stolen', 'slinking along'.
|
Happy families series.
Several titles, including
Master Money the millionaire,
Mr Creep the crook
Mr Cosmo the conjoror
Mrs Wobble the waitress
Master Salt the sailors' son
Mr Biff the boxer
Miss Jump the jockey
Mr and Mrs Hay the horse
Mr Tick the teacher
Mrs Lather's laundry
|
Allan Ahlberg
|
The author tells us about
the characters in these books, by expanding what is written in one
sentence with what is written in the next sentence. For example
'Mrs Wobble was a waitress. She liked her work. Her customers liked
her.' Or 'Master Money was a millionaire. When he was four he had
a bucket and spade for his birthday.' Children can be shown how
to tell about characters in their writing, by telling something
about the character in one sentence and by telling more in the next
sentence. They can also be shown how their characteristics influence
the plot.
There are many precise words.
Sentence beginnings vary.
Reactions are indicated in both speech and in actions.
There are four main characters to keep in mind.
Complications are easy to identify, for example 'The only trouble
was, she wobbled', 'Then, when Master Money was six and a half,
the trouble began'. Children can be shown how to introduce complications
in their own stories.
Note that Master Salt and Mr Cosmo
are recounts rather than narratives and can be used as patterns
for organising children's journal writing. For example Master
Salt begins by telling us about the characters and introduces
events with summary phrases, as 'The next day exciting things
happened'.
|
Of mice, lions and
elephants
The two stories we use are:-
The lion and the mouse
Androcles and the lion
|
Macmillan Connections
|
Sentence structure is more
varied than in the previous books, and there is more precise language. |
The mouse-deer and
the crocodile
The mouse-deer and
the crocodiles
The tiger and the mouse-deer
|
Graetz
|
We have rewritten several
folktales for specific classroom purposes. These three books have
been illustrated and are available from the Schools & Community
Centre. The language choices are of similar difficulty to The lion
and the mouse, and also include author's comment and reactions as
the thoughts of the character.
How the text shows us that the mouse-deer
is a tricky character will have to be taught.
We studied the first book and used
the other two as extension for some children.
Other folktales we have rewritten
are 'How the gulf of Thailand came to be' and 'Pegasus and Bellerophon'.
|
The beast with a
thousand teeth
|
Terry Jones
|
These picture Puffins are
longer than the previous stories. Terry Jones has written in folk
tale format, and the story structure has the accessibility of the
folktale. The illustrations help make the longer stories accessible
to fairly inexperienced readers. Language choices include words
indicating the staging of the text, precise words, variation in
sentence structure, reactions in speech and thoughts and actions. |
The sea tiger
|
Terry Jones
|
|
Fairy tales
Fantastic stories
|
Terry Jones
|
The previous two books
appear as stories in these collections. We used other stories in
these collections as extension for some children. The stories vary
greatly in the sophistication of their themes. Some of them are
suitable for much older children. |
How the elephant
became
|
Ted Hughes, reprinted
in Eureka level 3
|
Action sequences, description
and the expression of thoughts and feelings. |
The great white man
eating shark
|
Margaret Mahy
|
Another Picture Puffin.
Action sequences, action and reaction, expression of thoughts and
feelings, precise words, character influencing action, expansion. |
Fables
|
Arnold Lobel
|
Each Fable is a complete
narrative on one page. Excellent for teaching narrative form. Different
fables can be used to show different language features, but 'precise
words' can be taught from all. |
The black duck
|
Eleanor Nilsson
|
Out of print.
We patterned description of animals from this book.
|
The magic finger
|
Roald Dahl
|
Dahl is brilliant at action
sequences, action and reaction, description, expression of thoughts
and feelings, expansion, variation of sentence structure. |
Fantastic Mr Fox
|
Roald Dahl
|
This book is great fun.
Language choices as above. |
The emperor and the
kite
|
Jane Yolen
|
A folktale containing much
image-building language. Simile is important, as is author's comment.
Note that simile is difficult for inexperienced readers to understand.
|
|
Morris Lurie
|
See the book selection
notes |
Unreal etc
|
Paul Jennings
|
Fun stories, with excellent
plot structure. Jennings is a good model for showing how to expand
on one sentence in later sentences and for action-reaction sequences. |
Storm Boy
|
Colin Thiele
|
Variation in sentence structure
Precise language, and much image building language
Action-reaction
Expression of thoughts and feelings
The use of metaphor can be brought into children's writing after
the reading of this book. Children in a 3/4 class patterned a narrative
on the passage where Mr Percival gets the lifeline to the sinking
boat. Thiele calls the sea a beast with white teeth. If this is
not explained to children, some will think there is a beast in the
water.
|
Pannikin and Pinta
|
Colin Thiele
|
Much image-building language
and good action sequences. Also action-reaction through speech,
thoughts, feelings, actions. We used it with a grade 3 class and
patterned description on the first page. Low level book orientation
activities were many and varied as we had to teach much about inland
Australia in conjunction with the reading of the book. The varied
sentence structures and the image-building language make this book
suitable for older classes.
|
|
Odo Hirsch
|
From this book we taught
the writing of description in three different ways using the passage
about the palace park, the description of the melidrop, and the
description of Bartlett partly through the eyes of Sir Hugh Lough.
We studied how to write similes and make them appropriate to the
subject.
We also taught narrative containing extended metaphor from the passage
where the ship hits the iceberg.
There are many, many low order book orientation activities that
can be done in conjunction with this book. |
Hazel Green
|
Odo Hirsch
|
Action-reaction is through
actions, thoughts and speech and is used to develop very different
characters.
We patterned description from page 32 and from the chapter where
Hazel and Leon visit Mr Winkel, where we also patterned action-reaction.
We patterned narrative from the collapse of the model.
|
Matilda
|
Roald Dahl
|
All the language features
listed for Dahl earlier. As well, author's comment is important
for the understanding of the plot. |
Midnite
|
Midnite
|
Author's comment is important
for understanding how to read the plot - that it is a parody of
bushranger stories as well as a fine bushranger story.
Action-reaction.
Description
Series of actions
We used Dora's first bushranger to pattern narrative writing.
|
Rowan of Rin
|
Emily Rodda
|
A quest story, containing
much image building language and varied sentence structures. Almost
every chapter can be used to pattern a narrative. |